Feeling This 182 – 6 Reasons Blink 182’s Song Makes A Great Studio Composition
“Feeling This” is the first track from the self-titled Blink 182 album that moved thousands of pop rock fans. The band really impressed major music critics with the release of this single due to its maturity. Although “Feeling This” maintains the same dynamic tone as most of the songs on Take Off Your Pants and Jacket, Blink 182 fans were able to feel a definite progression.
As impressive as Blink 182’s melodic abilities are, their studio work is comparatively flawless. The subtle aspects of your studio engineer take “Feeling This” to another level of listening enjoyment. 6 studio effects really make me stand out why “Feeling This” is a great Blink 182 composition.
1. Flange in the intro sounds classic.
You don’t hear too many contemporary punk bands using this effect anymore. Blink 182 uses flange in Travis Barker’s drum intro, however, to add dimension. It reveals a new classic side to the band as “Feeling This” is the first track from their first serious album.
2. Bass barriers add volume.
Do you hear that rumble from your speakers at the beginning of the first chorus? That is a very low pedal pitch in the song’s pitch, commonly called a bass boom. When you hear that tone resonate behind Mark Hoppus’s voice, you can feel a whole new and powerful depth in what he sings.
3. Diversify with guitar filters.
After the first chorus of “Feeling This”, Tom Delonge’s guitar is covered with a filter that creates the illusion of depth. Effects like this create a wide variation in the sound throughout the Blink 182 song, ultimately to make it more interesting with each listen.
4. Barker uses drum filters.
As Delonge sings aggressively during the bridge, Barker hits his drums, sounding like he’s clipping tracks. That “clipping effect” is actually a simple distortion filter applied to the percussion. It is quite similar to the intro to “Down, Set, Go” by Underoath.
5. Sometimes Mark Hoppus sings through a telephone.
Similarly, how Travis Barker’s drums distort on the bridge, so is Hoppus’s voice. Suddenly Mark Hoppus is singing through a phone! It’s a really cool and simple filter to add to create intimacy and I think Blink 182 chose a good part for it.
6. The final fading of A Capella is magical.
Probably the coolest, but simplest, studio element on Blink 182’s “Feeling This” is the fading of the instrument at the end of the melody. The engineer really puts that pitch checker to work on the child’s voices when they start to overlap in harmony. It’s a great way to end the song.
There are so many studio production elements that went into Blink 182’s “Feeling This” to form a solid composition that it would be difficult to list them all. The most prominent studio effects include filters, bass booms, and fade-in. Keep this in mind when mixing your own music.